Abstract

Little Eyolf is a play that simulates an objective reality in a very narrow episode, which makes it a more classic psychological play than others. This dialogue extends into three acts and takes into its aspects a model of a simple Norwegian family through which the reality lived in other families, and their way of life is transmitted, because Ibsen is the great modern realistic theater, this author deliberately catches up with the exact details through which he can point out the scale of the realism of the work, the consistency of the characters and the exact realistic details all in order to create a realistic work reflecting the social nature in which this child lives and suffers from these many social overlaps. Little Eyolf plays the reason for existence and departure; Ibsen conveys prosperity and tragedy in one house at close Times. He draws a plan for the future family dramatically and realistically that abstracts from those temporary passions and moves everyone to reality in its clear form, making the place of reality higher than imagination and emotions. That Eyolf is the result of a set of causes, the most important of which was his parents' neglect of his own psychological and social needs, and this is what caused the end that Eyolf and the whole family faced. In the end, little Eyolf is a psychological treatment and social simulation of the lived reality, which leads to a set of results at the end of the play represented by tragedy and social-family torment.

Full Text
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