Abstract
Abstract. About Two Centuries after Islam appearance, Pottery Production in Islamic lands underwent profound changes. In Iran, The main share of Samanid artists is to revive traditional artistic Customs and evolve slip painted pottery having been expressed as the most widespread and various kind of pottery in Islamic eastern lands and is of various decorative patterns. At museums and diverse collections of world, there exist so many Samples of This pottery kind which some of them are of certify Cate and several have not been studied yet. In treasury of Tehran Bonyad Museum, 25 cases of Slip painted Buff wares are maintained that no information has been published about introducing these objects before. This study is of descriptive-adaptive type and its data collection has been conducted through a field and attribution method in which corresponding five cases of these objects with certificated samples in the rest of collections has been performed with the aim of introducing and identifying these objects and responding to these Two questions about date and probable construction site of these pots and finally this result was achieved that all five samples are from Nishapur’s productions and related to the 3 rd and 4 th centuries of lunar year.
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