The strange case of Ronald Tavel: Andy Warhol’s only screenwriter

Abstract

During the period 1963–1968, the Pop artist Andy Warhol turned his attention from painting and sculpture to film-making. Warhol gained attention for a series of notorious silent films – Sleep (1963), Empire, Blow Job and Eat (all 1964) – which early critics connected to minimalism and viewed as precursors to structural film. Warhol, however, confounded early admirers by collaborating with the writer Ronald Tavel on a number of sync-sound, more narrative films, beginning with Harlot (1964). The collaboration proved unlike any other between a director and screenwriter with Warhol incorporating the frustrations and tensions that often exist between screenwriters and directors as an essential part of the work.