Abstract

An ancient table zither qin, an emblematic stringed instrument of traditional Chinese music, has been rediscovered in the museum collection of the Conservatoire National des Arts et Métiers (inv.4224, CNAM collection), Paris. This instrument named “Qiulai” qin, whose origin is poorly documented, can claim to be one of the oldest qin preserved in European collections; its state of conservation is exceptional. A thorough examination was carried out based on an innovative approach combining museum expertise, material characterization analyses (optical microscopy, VIS/IR/UV imaging, X-ray fluorescence, SEM–EDS, Raman) and advanced radiocarbon dating technology (MICADAS). Our results highlight the great coherence with the traditional manufacturing practices mentioned in early Qing dynasty qin treatises and poems, in particular the collection of materials with highly symbolic meanings referring to the qin sound, nature and the universe. The reuse of resinous wood of the Taxus family from a building such as a temple has been demonstrated. The ash layer contains bone black, crushed malachite and residues of silica, ochres, potassium and magnesium aluminosilicates. Our study confirms the antiquity of the "Qiulai" qin in Europe by indicating that it was most likely made in the small [1659–1699] interval of about 30 years at the turn of the eighteenth century.

Highlights

  • Introduction and research aimsThe qin or guqin (“old qin”) is a seven-stringed Chinese table zither regarded as one of the oldest chordophones in China

  • Material characterization General description of the lacquer layers The optical microscopy revealed that the lacquer on the back side of the qin comprises two successive layers: (a) a heterogeneous black layer of around 1 mm with greenish grains applied on the wooden support, (b) a homogeneous reddish surface layer of 35 μm lightly covered with a dust deposit (Fig. 4A)

  • The silk string and the red lacquer dating The analyses revealed that the remaining silk string and the red lacquer are contemporaneous, meaning that the last lacquering and maintenance in playable condition occurred in China during the Qing dynasty (1644–1912) since the radiocarbon dating yielded the [1659–1699], [1721–1814] or [1834–1848] intervals

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Summary

Introduction

The qin or guqin (“old qin”) is a seven-stringed Chinese table zither regarded as one of the oldest chordophones in China. Based on surviving early written sources and archeological findings, the instrument is attested since the Zhou dynasty (eleventh-fifth century B.C.) and its definitive organological features were established during the Western Jin dynasty (265–316) [1]. Its construction appears simple but allows a wide variety of sounds, from deep bass to crystal-clear high-pitched notes, and Beyond the elaborate sound images it produces, the qin is revered as a refined artwork, whose shape is imbued with a strong symbolic meaning. The different parts of the instrument refer to the dragon, the phoenix, the sky and the earth. The materials selected are invested with deep meaning, such as timber from temples that is impregnated with chanting, or from trees growing near

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