Abstract
ince 1991 in the city of Lyon, Thierry Raspail and Thierry Prat, co-directors of the Musee d'art Contemporain, have hosted a biennial art exhibition which has attracted very little attention in the international art press. Each biennial has a theme and an invited curator who assumes the role of determining the substance of the exhibition. This year's choice for the Fourth Biennial was Harald Szeemann, the Swiss curator who established his reputation in late sixties with such exhibitions as When Attitudes Become Form. The theme chosen for Szeemann by Raspail and Prat for the exhibition in Lyon this past summer was based on the poststructuralist term l'autre (the other).
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