Abstract
AbstractIn this paper, the author asserts that the Johannesburg Art Gallery has also done remarkably well in preserving archival material in the field of black visual art. Such documents shed light on the operations of the visual art industry in South Africa before the democratic dispensation of 1994. He argues that heritage practitioners, artists, and scholars can immensely enhance their knowledge through study of these records. The author also thinks that it is crucial for this unique collection to be digitized for preservation and access.
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