Abstract
AbstractDuring the nineteenth century, many heard the afterlife before they could see it. These clairaudient forays took place in the context of spiritualism, a religious movement that facilitated communication between the living and the dead. Although the senses were important to spiritualism, sound was especially crucial for developing cosmologies of the afterlife. Sound can have powerful affective effects, especially in the realm of religion. In the case of spiritualism, however, notions of sound are complicated because of the inclusion of clairaudient and acousmatic sounds. This article analyzes spiritualist soundscapes in terms of acoustemologies, using personal narratives and instructional materials to demonstrate how spiritualists developed a sense of space through sound. Not only does my analysis demonstrate the importance of sound to these spiritual communities, but it also shows that spiritualist conceptions of sound require a special understanding of the nature of sound.
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