Abstract
By looking closely at a brief description of Pygmalion in Vasari's Lives and comparing it to Ovid's version of the myth, this essay suggests that Vasari's allusion is a subtle transformation of a classical poetic fable of artistic creation into a spiritual allegory grounded in Genesis.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
