Abstract
In the works of Giacomo Puccini, the spinto soprano voice can be compared to a musical instrument that can reach its fullness when it becomes an instrument capable of any expressive availability. The drawn portrait of the puccinian heroine is based on the sound explosions that are closely related to the intensity of the orchestral commentary, emitting brilliant sonorous sounds of a unique expressiveness. In terms of vocal and artistic qualities, the singer's skills consist of singing nuanced depending on the word, color variations (light or dark), the use of contrasting intensities combined with vocal polychromy, psychological knowledge of the character and self for a complete, successful mastery. These considerations cannot be dominated by the effort made in supporting the verist repertoire. The depth of his musical thinking reflects the significance of revelation through musical expressiveness, melody, rhythm, tempo and drama.
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