Abstract

The modern concept communism emerged in the French public sphere in 1840 and rapidly gained currency in other European countries as well. Though primarily used as a term of derision, its radicalization of already-established senses of accelerating change and worldly futurity secured its incorporation in complex unities of utopian hopes and dystopian fears all over the political spectrum of the time. The Danish public sphere of the 1840s reveals three basic modes of using communism, each linked in its peculiar way to new uses of the concept democracy: conservative equations of democratic political equality (particularly, universal male suffrage) and communist attacks on private property in favor of a community of goods; leftist democratic denials of such equations and the emergence of anticommunist democratic positions; and, between the two extremes, liberal distinctions between their own moderate conception of democracy and the false, “communist” democracy of the left .

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