Abstract
In February 2023, the Manchester Museum opened its new South Asia Gallery. Co-curated by a collective - 'individuals from British Asian communities in and around Manchester and fellow experts', the gallery encapsulates a unique curatorial spirit, and challenges traditional spatial juxtapositions in museum spaces. This review explores the collection and spatial experience of the gallery, examining the relationship between content and curatorial priorities. The gallery stands out in its unique telling of a people's history of large-scale global events, in the ways it traces the relationship between the everyday and empire, and between belongings and artefacts. This however brings with it certain lacunas in the 'global' connections of South Asia, and the need for future opportunities to explore under-represented voices.
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