Abstract
In recent studies of the Tibetan epic, much effort has been spent on analysing the origins and types of material that make up the epic literature, but no study presents an overall view of Ling (Gling) society. In the paper I gave at the second Symposium on the Epic of King Gesar at Lhasa in 1991, I therefore discussed the theoretical basis upon which the whole of Tibetan epic literature is built. I demonstrated that the Tibetan epic reveals a basic principle as well as a ‘chronological order’ in its development. Without this theoretical basis, Tibetan epic literature appears as a tangled web of material which is moreover still growing in complexity.
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
