Abstract
AbstractIn this article, we examine and historicise problems related to name and gender in biographical and cultural databases. Combining theoretical and computational approaches to onomastics, we identify contradictory naming conventions, intriguing patterns and distinct institutional vestiges in the recording and representation of artistic careers. We evaluate the affordances and constraints of naming conventions in Australian cultural databases, considering evolving trends in data collection and use, in relation to the complex lives of individual artists. We argue that this local‐level analysis extends to wider transnational debates in historiography, gender studies and digital humanities research today and propose some conceptual and technical solutions for building and using cultural databases in the future.
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