Abstract
The singer as the co-author: the features of the representation of Ukrainian folk songs in the concert and art space of the present
Highlights
Turning to the original sources of Ukrainian musical culture, we should point out the greatest achievements that appear to be the folk-song tradition
The purpose of the research is to substantiate the role of the singer as the co-author in representing the Ukrainian folk song in the contemporary
In order to highlight the peculiarities of the representation of Ukrainian folk songs in the concert and artistic space of today, within the framework of the scientific article, let us dwell on the consideration of the following genres of folk song: folk song, song-romance, and chant
Summary
Turning to the original sources of Ukrainian musical culture, we should point out the greatest achievements that appear to be the folk-song tradition. If the phenomenon of authorship is present in various manifestations of musical creativity (composing, performing, directing, etc.) and works in various forms of musical art of the past and present, today the study of the role of the singer as a co-author in the contemporary representation of Ukrainian folk song has not yet become a subject of a special scientific interest. The urgency of the topic is to study the peculiarities of the representation of Ukrainian folk songs in the contemporary concert repertoire on the example of the activities of the iconic representatives of the national culture: Kvitka (Kacey) Cisyk, Nina Matvienko, and Taras Kompanichenko
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