Abstract

By utilising Judith Butler’s concept of the politics of the performative, this chapter explores how the concept of migrant illegality developed from the late nineteenth century onwards. It shows how the term ‘illegal immigrant’ was coined by the British authorities in Palestine from 1933 onwards, used to limit the number of Jewish refugees coming to this Mandated territory and how this continued during and after the war. The chapter also utilised Michel Foucault’s work on the sea being a ‘different space’ with the concept of the ship. It shows how the Mediterranean became a battleground between Jewish refugees and the British authorities, most infamously with the case of Exodus 1947. The chapter closes with more recent ‘boat people’ in the same ocean since the 1990s focusing on the Italian island of Lampedusa which has become a borderless border to the European Union in processing refugees from Africa and Asia.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call