Abstract
The publication by the Society between 1778 and 1788 of reduced black-and-white engravings of the celebrated wall paintings at Cowdray House, Sussex, was highly controversial at the time; now the engravings, one of which shows the sinking of the Mary Rose, serve as an important record of the sixteenth-century originals, lost to a fire of 1793. No contemporary colour copies of this particular wall painting were thought to have survived until the discovery in 2010 of a watercolour (since acquired by the British Library) depicting some of the central figures, including a remarkable image of Henry viii in the last months of his life. Further sketches of details by the same artists, the Sherwin brothers, found in the Mitford archives, help to throw new light on the original Tudor painting.
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