Abstract

Laban Movement Analysis (LMA) gives a Dance Dramaturge a practical, straightforward methodology for deepening the creative process and increasing the potential towards positive outcomes for choreographers and dancers. Rudolf Laban created a system of looking at and analyzing human movement along with colleague Irmagarde Bartenieff. Present day applications of their theories have led to expansions of the system and elaborations of fundamental concepts that have influenced the makers of contemporary dance in many new and studied manners. This article will discuss the use of LMA as a Dance Dramaturgical methodology. It will cite professional experiences through a specific case study with Toronto-based choreographer Yvonne Ng. Visual diagrams are included that outline a score of how a dance dramaturg can work with LMA material. LMA provides valuable dramaturgical tools to work with choreographers by helping to shape their choreographic statements.

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