The Servant: Class estrangement as experience in Grazia Deledda’s Canne al vento

Abstract

The servant lives within the social relations of feudal class estrangement. He is a natural moralist who keeps his eyes and his mind open, amidst the compromises, intricacies, and oppression of being a servant, and he sees and understands a good deal more than those around him. Above all, he is a craftsman of experience who, in making history with only a few resources, lives an examined life, and turns estrangement into a life lived for others. Along the way, and ever sensitive to mundane hope and sorrow—even at the point of death—the servant offers educative insight into some of life’s questions. Within a broadly materialist and pragmatic framework, this article examines the concrete particularity of estrangement in terms of the servant’s actions, desires and relations with others.