Abstract

In this article, I intend to look into the issue of the relation of History to Literature through the works of the American literary critic Lionel Trilling (1905-1975). Therefore, I will both analyze Trilling’s argument in favor of the historicity of literature and will relate this argument to Trilling´s interest in the history of sensibilities. Finally, I intend to look into the historicity of Trilling’s own arguments. In doing so, I hope to show that Trilling becomes part of a particular branch of American literary history, alongside Nathaniel Hawthorne and Henry James, which is marked by the awareness that every self is inevitably historically shaped.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.