Abstract
The article deals with the description of Russian culture reality in various historical projections in the language of cognitive metaphors, in particular the metaphor of flickering. Understanding the paradoxical codes of Russian culture is possible at the level of the semantics of its texts, when single flickers make a deeper understanding of the optics and architectonics of the images in question. The Russian cultural texts prove that flickering, as a measure of existence, in particular, the measure of illumination, itself carries the ontics and optics of the reversed dimension of being, the dimension of space and time, in which images arise, primarily presented as metaphors of natural forces.
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