Abstract
Based on the application of a documentary approach to the study of Ukrainian embroidery as a means of social communication, it is proved that this phenomenon can be considered in the status of an embroidered document. The peculiarities of the semantic component of embroidery, which is established by its functional purpose and sphere of everyday life, is reflected in the varieties of signs-symbols, their graphic and color spectra, types of ornament, and the specifics of its material and constructive embodiment. It has been proven that the study of the origin and specific properties of the semantic, signative, and temporal components of an embroidered document is a promising direction of modern documentary studies.
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