Abstract
AbstractAs one of the many monumental tombs of fourth-century BC Anatolia, the Heroon of Perikle at Limyra is usually overshadowed by the earlier and better preserved Nereid Monument of Xanthos. Its owner, Perikle, is seen as either a mediocre pro-Achaemenid dynast or a fan of his namesake, the Athenian strategos, a view reflected in previous assessments of the stylistic pedigree of the tomb’s ornamentation. But a re-examination of the Heroon’s sculptural programme that places the cella friezes, karyatids and akroteria within their historical context shows the tomb to be Perikle’s announcement of his status as the first military king of Lycia. The Heroon of Perikle reflects associations with both the buildings of the Athenian Akropolis and Persian iconography, but these elements were appropriated to serve the political agenda of Perikle and his later hero cult.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.