Abstract
The history of the Turkestan Jadid movement and the study of Jadid literature show that it has not been easy to study this subject. The socio-political environment of the time led to the blind reduction of the history of continuous development of Uzbek literature, artificial reduction of the literary heritage of the past on the basis of dogmatic thinking, neglect of the study of works of art and literary figures. As a result, the creation of literary figures of a certain period, no matter how important, remained unexplored.
Highlights
Literary critic Begali Kasimov, studying the literature of the Jadid period, He studied the literature of 1905-1917 under the name “Revolutionary Literature”, “Revolutionary Poetry” in order to get through the cycle of the period, and the activities of the artists who created during this period, brought their works to the pages of literature
The researcher made scientific trips to several republics of the former Soviet Union, Germany, France, Turkey, and brotherly Kazakhstan in order to enrich his research and provide solid scientific evidence, and collected foreign sources of Jadid literature, assessed the level of study of the literature and literary process of this period abroad, made frequent appearances in the pages of our press with articles covering the literary environment of the period, based on science, which is very important for science
Suffice it to quote the following views of Doctor of Philology, Professor Najmiddin Kamilov: Begali Kasimov first studied the sources of the Jadid period in separate pamphlets and articles dedicated to the works of poets such as Mirmukhsin Shermuhammedov, Abdulla Avloni, Siddiqi Ajzi, and in his monographs “Izlay-izlay tapganim...”, “Salom Kelajak”. the theme is not specific to the work of individual derived writers, but defines the essence of the legacy of an entire generation of poets and writers
Summary
Literary critic Begali Kasimov, studying the literature of the Jadid period, He studied the literature of 1905-1917 under the name “Revolutionary Literature”, “Revolutionary Poetry” in order to get through the cycle of the period, and the activities of the artists who created during this period, brought their works to the pages of literature. In the first chapter, entitled “Tashkent’s literary environment during the Three Revolutions”, the researcher focuses on the socio-cultural life of Mirmukhsin’s period (before the October Revolution) and the activities of several artists who worked during this period.
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