Abstract

At the core of this essay is the idea that cognition is best described as a highly developed homeostatic device aiming to maintain a dynamic equilibrium between internal representations and changes in environmental conditions. The author emphasizes the fundamental role played by aesthetics in facilitating an accurate description of the human mind and introduce basic elements of a theory accounting for the influence of art on the cognitive system. A general bibliography is provided for the reader unfamiliar with the notions and desirous to pursue the analysis further.

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