Abstract

Many of Central Park’s bronze statues were coated with lacquer as a protective measure between the late 1970s and early 1990s. In several cases, these coatings outlasted their performance life and were no longer adequately protecting the sculptures. In 2010, a cyclical campaign to remove and refurbish the coatings provided an opportunity to closely assess the condition of de-coated surfaces and to develop suitable, sustainable treatment approaches. The Samuel F. B. Morse statue, created in 1870 by Byron Pickett, commemorates the 19th-century painter and inventor known for the telegraphic code that bears his name. Initially, samples from this statue were collected on the field and analyzed with various techniques to characterize the degradation products that were heavily affecting its surface and the organic coatings used to protect the bronze. Various corrosion species, mainly sulfates and chlorides, were identified by X-ray powder diffraction (XRD), while pyrolysis-gas chromatography/mass spectrometry (Py-GC/MS) revealed that the organic coatings were based on mineral wax and acrylics. These results informed a decision to relocate the statue to a controlled workshop space to aid in the manipulation of the large figure and optimize cleaning by laser ablation. Treatment was monitored through three campaigns of analysis using portable X-ray fluorescence (pXRF) spectroscopy, performed on select locations, to characterize the extent of corrosion across the sculpture’s surface and monitor changes on the target areas throughout the cleaning. Following the initial phase of treatment, pXRF showed the substantial removal of iron- and lead-rich compounds from the brownish-toned coating and atmospheric pollution deposition. In the subsequent treatment phases, variations in the relative amounts of sulfates and chlorides were noted and further investigated through the examination of a cross section by means of scanning electron microscopy coupled with energy-dispersive X-ray spectroscopy (SEM/EDS). Based on the findings of iron-containing pigments in the organic coating, a decision to apply a new, similar, translucent, brown-toned coating containing such coloring materials was made to achieve the desired visual nuance for the finish and provide additional corrosion protection to the bronze. Scientific analysis on the Morse statue has helped characterize its materials, methods of fabrication, and current conditions on a microscopic scale; in addition, it has guided the means and methodologies of treatment and relays essential information useful for future preservation.

Highlights

  • More than fifty bronze sculptures have been placed in Central Park since its founding in the mid-19th century

  • Preliminary visual examination of the Morse sculpture enabled conservators to identify the main ongoing conservation issues, which were mostly related to corrosion and to the presence of one or more degraded organic coatings

  • Characterization of the organic coatings covering the surface revealed a combination of mineral wax and acrylics

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Summary

Introduction

More than fifty bronze sculptures have been placed in Central Park since its founding in the mid-19th century. With these considerations in mind and based on the detection of iron-containing pigments in the sculpture’s organic coatings, a decision was made, following the laser cleaning treatment, to apply a new, similar, translucent, brown coating containing such coloring materials to achieve the desired visual nuance for the finish and provide additional corrosion protection to the bronze.

Results
Conclusion
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