Abstract
The Shrek films are a popular worldwide and economic success. Drawing on an analysis of the film as well as responses from undergraduate students enrolled in a children's literature course, we analyze Shrek 2 as a teaching machine in which normative discourses of gender and sexuality circulate under the guise of ‘girl power’. We argue that while Shrek 2 purports to offer viewers a more progressive curriculum about girlhood in relationship to other media texts such as Disney, it ultimately reifies heterosexual white femininity as the norm.
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