Abstract
ABSTRACT The purpose of this article is to show how various modes of representation employed in the Brazilian feature film Jogo de Cena (Playing, Eduardo Coutinho, 2007), are used as a narrative resource that allows life stories told by Brazilian women to escape from their present, individual and private temporalities, and thus become part, as narratives, of a historical, collective and public time. These modes make the story prevail over the person who tells it as his own, represented and representative meet and share the same narrative identity without annulling each other, and through an ethical pact create a Third Party built by hospitality to the word. These encounters of varied nuances, propitiated by the montage, free the word from its ties to the speaking body and allow it to explore new forms, genres and narrative practices, without discarding digital ones, in the contemporary audiovisual.
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