Abstract
Affect. Anglo-American Film Theory. Apparatus Theory (Baudry). Apparatus Theory (Plato). Art, Film as. Attention. Attraction. Auteur Theory. Blending and Film Theory. Brecht and Film. Camera. Cinematic Movement. Classic Realist Text. Classical Film Theory. Close-up. Cognitive Film Theory. Concept. Contemporary Film Theory. Counter Cinema. Depth of Field. Dialogism. Diegesis. Digital Cinema. Documentary Theory. Emotion, Film and. Enunciation. Ethics. European Film Theory. Evidence (Jean-Luc Nancy). Excess, Cinematic. Fantasy and Spectatorship. Feminist Film Theory, Core Concepts. Feminist Film Theory, History of. Film Fable (Ranciere). Film-Philosophy. Formalist Theories of Film. Gaming and Film Theory. Gaze Theory. Genre Theory. Identification, Theory of. Ideology. Illusion. Imaginary Signifier. Imagined Observer Hypothesis. Inaesthetics (Badiou). Interface. Long Take. Memory and Film. Mimetic Innervation. Minor Cinema. Mise en Scene. Modernism versus Realism. Montage Theory I (Hollywood). Montage Theory II (Soviet Avant-Garde). Movement-Image. Narration. Ontology of the Photographic Image. Ordinary Man of the Cinema (Schefer). Perspectivism versus Realism. Phenomenology and Film. Pixel/Cut/Vector. Poetic Cinema. Point of View. Postmodern Cinema. Queer Theory. Reception Theory. Redemption. Representation. Rhetoric, Film and. Seeing/Perceiving. Semiotics of Film. Skepticism. Sound Theory. Specificity, Medium I. Specificity, Medium II. Structural/Materialist Film. Suture. Symbol and Analogon. Symptomatic Reading. Third World Cinema. Time-Image. Trauma. Voice.
Published Version
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