Abstract
The identification, partial excavation, and covering-up again of the Rose Theatre in London this summer roused public interest unparalleled since the discovery of the Temple of Mithras 35 years ago. How is it that the future of an archaeological site of such importance has still to be resolved under threat in a flurry of direct action, injunctions, and media attention? Martin Biddle was almost the only archaeologist not directly involved who was prepared publicly to explore the issues in the press and on radio and television. Here he sets out his views of the lessons of the Rose.
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