Abstract
AbstractThe Sotuta pottery complex has been used in the archaeology of the northern Maya lowlands to identify the Terminal Classic period and cultural association with Chichen Itza. The Sotuta complex, however, is made up of many pottery types, the majority of which are inappropriate markers of elite sociopolitical history. It is argued here that Sotuta-complex slate wares developed out of previous local slate wares regardless of the elite sociopolitical changes taking place with the arrival of the Itza. The wares produced and distributed by commoners were independent of elites and have been artificially chained to questions of elite political expansion for which they are inappropriate correlates.
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