Abstract
Sakha epic songs, collectively called olongkho, embody the Sakha people's religious and mythological traditions. The olongkhos recount fascinating and dramatic connections between humans and deities, and portray ancient Sakha rituals. This article examines the roles of female characters in the epic "N'urgun Bootur the Swift," recorded by Platon Oiunskii. Female roles in this epic include goddesses, female shamans (udaghan), abducted beauties (bride or sister of the hero), and female warriors. The article compares these roles to the historical image of women in past and present Sakha culture, and interprets the underlying message of the olongkho for today's generation.
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