Abstract
The article analyzes the role of the modern documentary-fictional radio programs Feature in the genre system in Germany. As a description method serves the functional-objective approach for definition and differentiation of media genres. The article answers the questions about a goal of journalistic impact typical for Feature, objective strategies and an interactive specialty of formal, compositional and acoustic elements accessible for this genre. The distinct aspect is represented by the categories of documentary and fiction which are central for determination of the genre status of Radiofeature.
Highlights
Òèêîâ è òåîðåòèêîâ æàíðà àëüòåðíàòèâíûì è èñ- Ïðèâåäåííîå îïðåäåëåíèå Radiofeature îáúåäèïîëüçîâàëîñü íåïîñëåäîâàòåëüíî, ïåðåäà÷è çà÷àñ- íÿåò íàèáîëåå õàðàêòåðíûå æàíðîîáðàçóþùèå êàòóþ êàòåãîðèçèðîâàëè êàê ðàäèîïîñòàíîâêó èëè óòî÷íÿëè èõ æàíðîâóþ íàïðàâ- ìåò è ìåòîä
Îñîáîå âíèìàíèå óäåëÿåòñÿ êàòåãîðèÿì äîêóìåíòàëüíîñòè è õóäîæåñòâåííîñòè
Ïîäâèæíàÿ ñèíòåòè÷åñêàÿ ïðèðîäà ýòîé ðàäèîôîðìû, îáðàùàþùåéñÿ ê øèðî÷àéøåìó ñïåêòðó òåì è ñïîñîáíîé ê ñîáñòâåííîé ïðîäóêòèâíîñòè æàíðà, íàèáîëåå ïîëíî îòâå÷àåò âíóòðåííèì ïîòðåáíîñòÿì è âîçìîæíîñòÿì ðàäèî êàê àêóñòè÷åñêîãî êàíàëà ïåðåäà÷è èíôîðìàöèè
Summary
Òèêîâ è òåîðåòèêîâ æàíðà àëüòåðíàòèâíûì è èñ- Ïðèâåäåííîå îïðåäåëåíèå Radiofeature îáúåäèïîëüçîâàëîñü íåïîñëåäîâàòåëüíî, ïåðåäà÷è çà÷àñ- íÿåò íàèáîëåå õàðàêòåðíûå æàíðîîáðàçóþùèå êàòóþ êàòåãîðèçèðîâàëè êàê ðàäèîïîñòàíîâêó (íåì. òåãîðèè ïåðåäà÷ äàííîãî òèïà: èõ ôóíêöèþ, ïðåädas Hörspiel) èëè óòî÷íÿëè èõ æàíðîâóþ íàïðàâ- ìåò è ìåòîä. Ìåñòî ñîâðåìåííîãî Radiofeature â ñèñòåìå ðàäèîæàíðîâ ÔÐà Die êèé ñïåêòð ïåðåäà÷ Radiofeature â ðàìêàõ ñîâðå- Reportage), äîêóìåíòàëüíàÿ ïåðåäà÷à
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