The role of the convert ineclipse of reasonandthe silent scream

Abstract

The secular convert has played a significant role in many political controversies and in the documentary films produced by those engaged in them. The Silent Scream (1985) and its sequel, Eclipse of Reason (1987) are two central documents in the effort to limit abortion rights. Much of the testimony and the dramatic structure of the films is drawn from conversion experiences that suggest a model for the conversion of an implied audience and offer reinforcement for those already committed to the movement. In their uses of the convert tale, these films are self‐referential, combative, and, in their portrayal of women, demeaning.