The Role of the Author's Remarks in the Structure of the Dialogue

Abstract

In literary science the term «remark» mainly applies in respect to dramatic work. The immersion of different types of structure of the art speech of the prosaic text leads to his rapprochement with the drama that gives a possibility to equally use the notion of "remark" and to the drama, and to the prosaic work. Despite this, it is impossible to consider the notes function identically in both genres, as in a drama work, the author's remark is given in brackets and usually performs the function of explanations for actions and replicas of the characters, whereas in prosaic work it has a complex manifestation, performing art and aesthetic function elucidation of gesture and facial expressions, actions and deeds, inner feelings, the psychological condition of the characters. In the development of the Karakalpak prose 1980-2010 there has been a deepening of psychologism in transferring events and phenomena of reality that is connected with the desire of domestic writers to penetrate into the hidden corners of the human soul. This fact served as a factor in productive use inherent in mainly dramatic monologues, dialogues, referring to the author's remarks in the structure of prose works. On the basis of scientific-theoretical opinions of studiers of literature, this article explores the problem of artistic and aesthetic features of the author's remarks in the structure of the prosaic works based on examples taken from wide-range novels by T. Kaypbergenovʼs «Apple of the eye», K. Mambetovʼs «Busted people», Sh. Seytovʼs «Khalkabad».