The role of single-channel cues in synchrony perception: The summed waveform

Abstract

Human observers are able to discriminate between simultaneously presented bands of noise having envelopes that are identical (synchronous) rather than statistically independent (asynchronous). The possibility that the detection of envelope synchrony is based on cues available in a single critical band, rather than on a simultaneous comparison of envelopes extracted via independent critical bands, is examined. Two potential single-channel cues were examined, both relying on the assumption that information present in the envelope of the summed bands is available to the listener. One such single-channel cue is the rms of the envelope of the summed waveform; the envelope is more deeply modulated for the summed synchronous bands than for the summed asynchronous bands. The second cue examined was envelope regularity; the envelope of the summed synchronous bands has periodic envelope minima, while the summed asynchronous bands exhibit aperiodic envelope minima. Psychophysical results suggest that such within-channel cues may be both available to, and utilized by, the listener when the component bands are separated by less than one-third of an octave.