The Role of Photography in Conceptual Art in Iranian Artists

Fereshteh Dianat

doi:10.7596/taksad.v6i3.906

Abstract

Abstract Conceptual art is one of the new independent art forms of modern times. Photography is one of the areas where this art form appears since it is always considered as a document and reflection of reality. As photography plays an essential role in the first conceptual artworks of Joseph Kossuth, this research questions “to what extend photography can play an essential role in conceptual artworks?” It was not very late after rise of conceptual art that Iran was in line with these new developments. Therefore, it is tried to study the role of photography in conceptual art through investigating Iranian artist’s art works. Here it is tried to review two main exhibitions of conceptual artworks held in contemporary art museum of Tehran during 2001 to 2002 as well as field study approaches about artworks in other galleries, to reveal the importance of photography in conceptual artwork. The present study attempts to define conceptual art beside a quick review of the first photos that apparently effected formation of conceptual art in Iranian artist’s artworks.

Highlights

In line with emergence and spread of different fields of new art during sixties and seventies, Iran was affected with this flow and though was not very successful to execute all fields due to differences in cultural, ethical, economic conditions and so on, it has done noticeably well in some other categories
Since there is no boundary for arts, and photography is a witness to facts because of its availability, constancy and record of time, it is considered to be one the basic media in conceptual art
As the only available sources was confined to two books of conceptual art and new art, published by Tehran contemporary art museum, it is tried to search locally for artworks presented in galleries to study the basic role of photography in forming of conceptual art in Iranian artist works

Summary

Introduction

In line with emergence and spread of different fields of new art during sixties and seventies, Iran was affected with this flow and though was not very successful to execute all fields due to differences in cultural, ethical, economic conditions and so on, it has done noticeably well in some other categories. One of these categories is conceptual art. As the only available sources was confined to two books of conceptual art and new art, published by Tehran contemporary art museum, it is tried to search locally for artworks presented in galleries to study the basic role of photography in forming of conceptual art in Iranian artist works

Objectives

Methods

Conclusion