The Role of Photographic Documentation in the Process of Conservation of Destroyed Architectural Monuments and Centres of Historic Cities

Olena KOZAKOVA,Kyiv National University Of Construction And Architecture, 31 Povitroflotskyi Avenue, Kyiv, 03037, Ukraine ,Iryna KRAVCHENKO,Mohammed Sulayman,Dominika KUŚNIERZ-KRUPA,Shiru WANG,Mahmood ABDULGANI MUSTAFA,Malgorzata LISIŃSKA-KUŚNIERZ,Lukasz BEDNARZ,Mateusz BUDZIAKOWSKI,Kyiv National University Of Construction And Architecture, 31 Povitroflotskyi Avenue, Kyiv, 03037, Ukraine ,Kyiv National University Of Construction And Architecture, 31 Povitroflotskyi Avenue, Kyiv, 03037, Ukraine ,Cracow University Of Technology, Faculty Of Architecture, 24 Warszawska Street, 31-155, Cracow, Poland ,Kyiv National University Of Construction And Architecture, 31 Povitroflotskyi Avenue, Kyiv, 03037, Ukraine ,Kyiv National University Of Construction And Architecture, 31 Povitroflotskyi Avenue, Kyiv, 03037, Ukraine ,Cracow University Of Economics, College Of Management And Quality Sciences, 27 Rakowicka Street, 31-510, Cracow, Poland ,Wroclaw University Of Science And Technology, Faculty Of Civil Engineering, 27 Wybrzeze Stanislawa Wyspienskiego Street, 50-370, Wroclaw, Poland ,Cracow University Of Technology, Faculty Of Architecture, 24 Warszawska Street, 31-155, Cracow, Poland

doi:10.36868/ijcs.2024.si.01

Olena KOZAKOVA, Kyiv National University Of Construction And Architecture, 31 Povitroflotskyi Avenue, Kyiv, 03037, Ukraine + Show 16 more

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https://doi.org/10.36868/ijcs.2024.si.01

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Abstract

This article deals with the role of photographic documentation in conservation efforts. Using the example of Islamic sites in Libya, historic inn buildings located in Ukraine and Poland, the centres of Polish historic cities destroyed during World War II, and the monuments of Ukraine destroyed during the period of "militant atheism," World War II, and the ongoing Russian-Ukrainian war, it is proven that often photographic documentation of objects becomes the main source of information about destroyed or damaged objects. The purpose of this paper is to analyse the value of photographic documentation for conservation and preservation efforts. The authors point out that it can also be used for eye-tracking studies of visual perception of conservation objects, both by local communities, i.e., nonprofessionals in the field of architecture, as well as perception by architects and conservators.

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