Abstract

The role of N. Ilminsky and S. Rachinsky in the formation of the personality of S. Smolensky

Highlights

  • The article uses the method of historicism, which allows us to consider the phenomena of artistic culture, enlightenment and education in the dynamics of their formation

  • Smolensky was involved in a large-scale project of translating religious chants into the languages of the national small peoples of the Volga region, which determined the direction of his entire musical and singing work

  • Smolensky outlined the main components of a scientific search in the history and theory of ortodox church singing, in the course of which A

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Summary

Introduction

Smolensky took place in the Kazan period of life under the influence of Nikolai Ilminsky and Sergey Rachinsky. Smolensky was involved in a large-scale project of translating religious chants into the languages of the national small peoples of the Volga region, which determined the direction of his entire musical and singing work. Smolensky’s future activity were outlined, which received its brilliant application in the Moscow period of life, during his leadership and reforming the Synodal School of Church Singing and Choir.

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