Abstract

In the frame of the worldwide policies towards inclusion there is a need of changes, systematic strategies and actions at different levels and settings of the society including education and cultural organizations. Museums, culture and arts have a constantly increasing role towards a more cohesive and inclusive society in terms of educational, social and cultural impact and for diverse social groups that face various barriers in their full participation in social life. Furthermore, museums as nonformal learning environments and art activities can complement different levels of formal education and courses towards a better understanding of diversity. The aforementioned are of particular importance for disabled people as well as for teachers who work with disabled children and for the enrichment of student teachers’ training in issues of disability. The aim of the present study was to investigate issues of cultural representations and the reflections of undergraduate Primary Education teachers regarding disabled artists, arts, museum and education after a visit in a temporary art exhibition of disabled artists. The participants were 33 student teachers of a University Department in Greece who attended a Museum Education course and the data were obtained via questionnaires. The results revealed the value and the need for further learning opportunities in museums and other cultural environments as well as their potential contribution in combating stereotypes, enriching and broadening undergraduate Primary Education teachers’ perceptions regarding disability with implications in the fields of Museum Studies and Museum Education, Arts, Higher Education, Special and Inclusive Education.

Highlights

  • The development of an inclusive society that respects the diversity and promotes equal participation to all people across the spectrum of social life is a central topic of the international social agenda, policies, strategies and practices

  • More analytically the questionnaire consisted in total of 11 questions and it was structured in four axes regarding student teachers (STs)‟: a. demographic characteristics, b. prior knowledge and experience regarding disability and disabled artists, c. expectations and views regarding their experience of the specific art exhibition, and d. opinions regarding the educational and social value of museum art exhibitions and activities related to disability and disabled artists

  • The discussion of the present study enables issues with regards to: the diffusion and establishment of the social model of disability (Oliver, 1990); the persisting stereotypes towards disability (Dodd et al 2010; Oliver, 1990); the degree of active presence and the role of disability movements, disabled artists and disability arts movement (British Council – Disability Arts International, 2019; Sulewski, Boeltzig, & Hasnain, 2012); the development of inclusive education (Ainscow, 2020) and teachers‟ training practices in disability issues related to arts and disabled artists‟ works (Symeonidou, 2020; Ware 2008); museums‟ resources and activities related to disability themes and social inclusion (Dodd & Sandell, 2001; Sandell, 2002) and curatorial practices within museums towards an inclusive society and an “inclusive art world” (Hylton, 2007:115)

Read more

Summary

Introduction

The development of an inclusive society that respects the diversity and promotes equal participation to all people across the spectrum of social life is a central topic of the international social agenda, policies, strategies and practices. Arts have certainly a crucial role for the sustainable community development, community engagement, social cohesion and the improvement of quality of life (Hawkes, 2001; Mowlah, Niblett, Blackburn, & Harris, 2014). Both in the fields of museum studies and education the terms “inclusion”, “inclusive museum” and “inclusive education” respectively are conceived with a broader view that embraces diversity among all people including disabled people (Ainscow, 2020; Black, 2012; Coxall, 2006). In the frame of the social model of disability, which places the emphasis on the societal barriers that exclude disabled people, a main issue – among other barriers – is the http://hes.ccsenet.org

Objectives
Methods
Results
Discussion
Conclusion
Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call