Abstract
The author describes the role of materials in the development of her sculpture during her career of more than 40 years. An initial influence in 1934 was a Hans Arp relief in painted wood. In 1937 at the New Bauhaus, Chicago, under the direction ofLaszlo Moholy-Nagy, her preoccupation with materials was encouraged. She presents examples of her early work in wood and glass and also some of her recent large nonfigurative sculptures in bronze and painted welded sheet steel. I. In an over 40-year career as a sculptor (1), a consciousness of material has been a strong element in the development of my work. New materials have stimulated fascinating ideas for exploration, despite their often contradictory demands and the need to develop techniques not previously established. Are my contemporaries and I the last to
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