Abstract

Contemporary critical proposals and works focused on investing the visual image to convey the desired meanings and connotations as purposeful messages to society. Many studies dealt with the concept of image and visual culture in architecture without focusing on these two concepts and their relationship to aesthetic taste in general and the impact of this on architectural critical practices in particular in a way that broadens the knowledge base about the critical and architectural inspirational and creative possibilities. So, the research is directed towards finding and defining the real relationship between these concepts to seek to understand and present their multiple aspects and expand their theoretical knowledge base. This research aims to define the general framework of the image culture and then focus on studying the culture of the contemporary visual image and its relationship to the aesthetic taste, which are directly related to the contemporary critical movement, and to determine the nature of the dynamic relations between them, to reach a theoretical framework that represents the foundations and rules affecting the enrichment of aesthetic taste and enriching its messages by clarifying the elements of the image, its expressive and aesthetic value, and how to read it, in addition, to clarify the extent to which the aesthetic taste of society is affected by the components of the architectural image, and finding general frameworks for the role of the image in enriching the critical practice in the context of society, with presenting the conclusions and recommendations.

Full Text
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