Abstract
Graffiti art in Beijing has undergone prolonged development and evolution, narrating the diverse stories of the city and presenting a more varied image of Beijing. This study selects the graffiti art hub, the 798 Art District in Beijing, and employs spatial production theory and interactive ritual chain theory to deeply analyze the crucial role of graffiti art in disseminating the urban image of Beijing and the specific images it sculpts. Through the application of spatial production theory, we specifically explore the layout, positioning, and display modes of graffiti in the urban environment, as well as the potential impact of these factors on the perception and shaping of the urban image. Building upon this foundation, interactive ritual chain theory is utilized to investigate the interactive processes between the audience and graffiti, revealing how such interactions guide, influence, and co-construct the cognitive representation of the urban image.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Journal of Education, Humanities and Social Sciences
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
