Abstract
In a number of Schiller's dramas, a new character is introduced just before the final curtain to give the denouement an unexpected twist or to lend further nuance to the characterizations and themes of the work. In Don Carlos, the Grand Inquisitor comes forward to rebuke Philipp's misjudgment of Posa and to preside over the execution of Carlos and the restoration of authoritarian rule. At the close of Wil-
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