Abstract
The article introduces the study of “female literature” in Zimbabwe’s English language literary creative writing, which has undergone accelerated development. In the material presented, the methods of language selection and plot-compositional organization of literary text, the main categories of textuality are examined. The specialization of literature is shown, as an indicator of its growth. The author compares the traditional attitude towards women in African society, which is characterized by inequality, and the appearance in the XX-XXI centuries women writers, signifying a revolutionary change in their socio-cultural role. A typical problematic of works created in different historical periods is revealed. A comparison on the creativity of women writers of three generations is made, an interpretation of problems related to women's destinies is given, tendencies in the formation, disclosure, and establishment of new roles of women in society are revealed. The typology of plots is shown from the point of view of subject matter and completeness of the text. Particular attention is paid to the complexity of semantic structures of the text of small and large genres; its cognitive potential, adherence to the regional English language standard is revealed.
Sign-in/Register to access full text options 
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
