Abstract
ABSTRACTThis article is a case-based theoretical exercise designed to investigate the role that ethics, culture, and artistry play in scientific illustration. In this article, the author theorizes a visual model of cultural interplay and scientific illustration in the creation of scientific knowledge and argues that scientific illustrations work as epistemological devices because they are culturally mediated constructions imbued with personal, organizational, and disciplinary trust, and shaped by the embedded cultural worldviews.
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