Abstract

Abstract This article examines the role of artwork in the diplomatic practice of international organizations and how this relates to the foreign policy of the member states. Although the relationship between artwork and diplomacy has received some scholarly attention, the specific relationship between artwork and international organizations has rarely been covered in academic literature. To that end, the article will analyze the art collection located in the Dutch delegation at nato headquarters. It attempts to establish how the individual artworks in this collection collectively form a narrative, and how this narrative reflects Dutch foreign policy in relation to nato. The article will conclude that the collection reflects, and – through the discursive power of the artworks – comments on, Dutch foreign policy in relation to nato by (over-) emphasizing notions of “neutrality” and anti-militarism, as well as Dutch contributions to the nato-led isaf in Afghanistan.

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