Abstract
The article presents theoretical views on the compositional-syntactic structure of poetic speech, which is one of the problematic issues in the field of poetic syntax and the study of its actual division. Within the framework of the Uzbek poetic syntax, the importance of studying the issue of actual division as a separate category in the study of Uzbek poetic speech based on the experience of world linguistics.
Highlights
Any poetic speech means a certain dialogue between the listener and its author, in which the listener acts only as the addressee
When we semantically examine sentences that are equivalent to the theme of poetic speech, we see that the existing subject is important in relation to the subject-rem of speech
It is well known that under the term subject different concepts are combined, that is, the predicate is interpreted as the owner of different symbols
Summary
Any poetic speech means a certain dialogue between the listener and its author, in which the listener acts only as the addressee. A subject is a new message, information that is transmitted to the rest of the addressee, often if the subject is known to both of them in advance It is studied in the semantic aspect as a syntactic category and serves as the basis for the compositional-syntactic formation of poetic speech. In the compositional and syntactic structure of this quartet, the theme is clarified first of all the world, and the rest of the lines appear in the rheme function, that is, new author's messages about the world - experiences, feelings - are expressed. In the compositional-syntactic structure of poetic speech, the theme-rheme relation, showing the semantic connection between parts (lines), played an important role in ensuring the integrity of poetic speech, the consistent development and conclusion of thought. When we semantically examine sentences that are equivalent to the theme of poetic speech, we see that the existing subject is important in relation to the subject-rem of speech
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