Abstract
The symbolic and metaphorical fullness of the image of the road in the poem of Y. Kolas “New Land” in comparison with the works of N. Gogol and T. Shevchenko is revealed in the article. It is emphasized that in the artistic and philosophical understanding of the authors, the road is presented as a way of heroes’ existence, overcoming life obstacles, as well as a universal symbol of the endless movement of spirit, thought, comprehension of existential values. Comparative analysis made it possible to expand the range of semantic meanings of the image as an embodiment of the search for spiritual, national and historical self-identification of a person, people, country.
Highlights
It is emphasized that in the artistic and philosophical understanding of the authors, the road is presented as a way of heroes’ existence, overcoming life obstacles, as well as a universal symbol of the endless movement of spirit, thought, comprehension of existential values. Comparative analysis made it possible to expand the range of semantic meanings of the image as an embodiment of the search for spiritual, national and historical self-identification of a person, people, country
Прасторны шлях скаардынаваны з бясконцым напружана пошукавым рухам чалавечай думкі, якая заўсёды імкнулася зазірнуць за межы данасці, за “далягляд ружова-сіні”, з глыбокай прадуманасцю ідэйнага станаўлення, нацыянальнага самаўсведамлення, унутрана-творчай засяроджанасцю чалавека і народа на абнаўленні, каб “новы свет жыцця саткаць”
Summary
С. Дарога ў сімволіка-метафарычнай прасторы твораў Я. Шлях – гэта і спосаб жыцця, і яго мэта, скіраванасць, зададзенасць на асваенне і асэнсаванне быційнай прасторы, самарэалізацыю, самаідэнтыфікацыю ў ёй. Са з’яўленнем вобраза дарогі як формы прасторы фарміруецца і ідэя шляху як нормы жыцця чалавека, народаў і чалавецтва” [1, с.
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