Abstract
This article brings together three short ‘provocations’ presented by Katie Beswick, Harriet Hawkins and Joseph Kohlmaier. Between them, these provocations investigate the idea of how the archive of the city has and might be ‘tapped’ through a number of performative acts from a broad range of different perspectives, including the role of ‘archival art’; performance, practice and competition in the context of the city; the body as an archive; the foundation of the city as a performative act; street dance; stream of consciousness and the city in the psychological novel; and the role that documentary practices can play in regaining political territory.
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