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Abstract
Abstract A long walk in the “world” of contemporary art gives multiple views of interlocking ecologies that, in their particularities, contradict the stereotypes suggested by language, invert “north” and “south,” question what is “traditional” in artistic practices, reflect on the intermix of society and art, glimpse the colonial mind in postmodern dress, and illuminate a restless subculture of professional migrants. What does our ramble reveal about the institution of contemporary art? “Diversity” hardly seems an adequate word.
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